I am a music producer, vocalist and multi-instrumentalist. Being a fan of both instrument-based music and club sounds, my music exists somewhere in between, drawing on a vast range of influences, from jazz to dubstep.

I’m particularly interested in the emotional potential of electronic music - how it can make us feel things that can’t be felt otherwise, or that we didn’t know were within us; how we can work with technology to express what is fundamentally human.

Lyrically, my songs are mostly autobiographical with hints of fantasy. Each song is a reflection of what is on my mind at a given time, whether that’s contemplating my relationships with others, or dreaming of more caring worlds.

Some sonic projects have involved creative coding, for example data sonification and creating tools for audio-visual performance using Max MSP.

  • VISIONS, June 2024

    https://valeriaradchenko.bandcamp.com/album/visions

    Debut album, released with support from Help Musicians Record and Release Grant.

    ‘The 12 songs are autobiographical infused with hints of fantasy, exploring themes such as relationship anarchy, embracing sexuality and collective liberation… Playful yet sincere, Valeria's music subverts expectations in exciting ways. The backbone of Valeria's music is their voice, which acts as a guide, steering the listener through intimately personal landscapes and into gorgeously surreal worlds', VISIONS Press Release.

    Written, recorded, produced and mixed by Valeria Radchenko.
    Mastered by Declared Sound.
    Album art by April Lin.

    Drith, February 2023

    https://soundcloud.com/club-late-music/valeria-radchenko-drith

    Experimental electronic track, released as part of SODAA’s Decentralised Compilation Vol. 1. Co-released with SODAA Club, 3 Swords Republic, Hard Return, HI-NRG, New Scenery, Sly Tone, and TOO MUCH INFORMATION.

    SODAA Club is a community developing a decentralised governance model for a music & arts venue in London. Their first release explores the foundations of their own sound - with members and friends of their commmunity, the 31-track compilation is "genreless and fluid, self-organised and bottom-up."

    Gesture EP, January 2022

    https://soundcloud.com/valeria-a/sets/gesture-ep

    EP written, produced, mixed and mastered by Valeria Radchenko.

  • Enchanted Shore, March 21, 2025 

    https://jo-annecoxelectriccello.bandcamp.com/track/enchanted-shore

    Jo-anne Cox - composer and electric cello

    Valeria Radchenko - vocals, vocal arrangement and production

    Declared Sound - mastering


    Love in a Summer Storm, August 22, 2024

    https://jo-annecoxelectriccello.bandcamp.com/track/love-in-a-summer-storm

    Jo-anne Cox - composer and performer

    Valeria Radchenko - mixing

    Declared Sound - mastering

    In Embrace of Fakeness, November 2022

    https://valeriaradchenko.bandcamp.com/track/in-embrace-of-fakeness

    Soundtrack to April Lin's performance In Embrace of Fakeness at Manchester Art Gallery, 02/07/22, as part of WAIWAV, organised by DASH.

    Everything That I Am, Arriving, Always, 2021

    https://vimeo.com/562426932?share=copy

    Soundtrack to Chantel Foo’s performance, Everything That I Am, Arriving, Always, No Format Gallery 2021 - Solo Show at Sluggg Leipzig, curated by Colette Patterson.

    Live-streamed performance (20 min) with 2 camera phones and a laptop, felted merino wool, video projection and sounds. Felted merino wool stained with chinese black cardamom, dried lily buds, liquorice root; red dates, astralagus root, codonopsis root, angelica root; joss stick incense.

    Sounds made with Odete (Portugal) and Valeria Radchenko (London) with sampled sounds from personal archives.

    (Tending) (to) (Ta) OST, February 2020

    https://valeriaradchenko.bandcamp.com/album/tending-to-ta-ost

    Soundtrack to April Lin’s feature length film, (Tending) (to) (Ta), commissioned by Obsidian Coast.

  • The Seat of the Androgyne, March 2024

    https://soundcloud.com/valeria-a/sets/the-seat-of-the-androgyne

    An album of soundscapes created for Ezekiel Yurdanur's exhibition, 'The Seat of the Androgyne', featuring sculptures made from steel and rawhide.

    Split into seven primitive archetypes each piece is a totem, representing parts of the totality of divine expression, in the form of a genderless, omnipresent, and loving entity. Yurdanur invites the audience on a journey of meeting each of these realms with deep presence as they explore the domestic landscape of Safehouse.

    The soundscapes were created collaboratively through embodied movement and sound journeys into each archetype, using techniques such as vocal improvisation, digital sound synthesis and sampling.