Featured Music
Compositions for films and performances and songs from my album VISIONS
Retelling of the Wild Woods by Elinor Rowlands, 2025
(Tending) (to) (Ta) by April Forrest Lin 林森, 2021
I am a music producer, vocalist, multi-instrumentalist and performer. I release music independently, run workshops and work as a composer, producer and sound designer for artists and filmmakers, including April Forrest Lin’s 林森 feature-length film,(Tending) (to) (Ta), 2021, and Elinor Rowland’s immersive experience, Fragments of Perception, 2025.
My songs are mostly autobiographical with hints of fantasy, like snapshots of my perspective at a given moment. My lyrics often serve as a compass, something to guide me through challenging times, and I hope listeners feel some of that too. Being a fan of both instrument-based music (jazz, rock) and electronic dance music (dubstep, garage, deconstructed club), my music exists somewhere in between.
I’m particularly interested in the emotional potential of electronic music - how it can make us feel things that can’t be felt otherwise, or that we didn’t know were within us; how we can work with technology to express what is fundamentally human.
Some sonic projects have involved creative coding, for example data sonification and creating tools for audio-visual performance using Max MSP.
Performing ‘dream-seeds’ at Ormside Projects, 2025
Photos by Alfie Johnson
-
VISIONS, June 2024
https://valeriaradchenko.bandcamp.com/album/visions
Debut album, created with a Help Musicians Record and Release Grant.
Playful yet sincere, Valeria's music subverts expectations in exciting ways. The backbone of Valeria's music is their voice, which acts as a guide, steering the listener through intimately personal landscapes and into gorgeously surreal worlds.
Written, recorded, produced and mixed by Valeria Radchenko.
Mastered by Declared Sound.
Album art by April Lin.Drith, February 2023
https://soundcloud.com/club-late-music/valeria-radchenko-drith
Experimental electronic track, released as part of SODAA’s Decentralised Compilation Vol. 1. Co-released with SODAA Club, 3 Swords Republic, Hard Return, HI-NRG, New Scenery, Sly Tone, and TOO MUCH INFORMATION.
SODAA Club is a community developing a decentralised governance model for a music & arts venue in London. Their first release explores the foundations of their own sound - with members and friends of their commmunity, the 31-track compilation is "genreless and fluid, self-organised and bottom-up."
Gesture EP, January 2022
https://soundcloud.com/valeria-a/sets/gesture-ep
EP written, produced, mixed and mastered by Valeria Radchenko.
-
SPACE, March 5, 2026
https://jo-annecoxelectriccello.bandcamp.com/track/space
Jo-anne Cox - composer and electric cello
Valeria Radchenko: production
Dominic Clare: masteringFragments of Perception, 2025
Vocals and sound design for an immersive experience by Elinor Rowlands, funded by Immersive Arts.
Retelling of the Wild Wooda, 2025
Vocals, choral arrangement and electronic production for a triptych film by Elinor Rowlands, funded by ACE DYCP.
Enchanted Shore, March 21, 2025
https://jo-annecoxelectriccello.bandcamp.com/track/enchanted-shore
Jo-anne Cox - composer and electric cello
Valeria Radchenko - vocals, vocal arrangement and production
Declared Sound - mastering
Love in a Summer Storm, August 22, 2024
https://jo-annecoxelectriccello.bandcamp.com/track/love-in-a-summer-storm
Jo-anne Cox - composer and performer
Valeria Radchenko - mixing
Declared Sound - mastering
The Seat of the Androgyne, March 2024
https://soundcloud.com/valeria-a/sets/the-seat-of-the-androgyne
An album of soundscapes created for Ezekiel Yurdanur's exhibition, 'The Seat of the Androgyne', featuring sculptures made from steel and rawhide.
The soundscapes were created collaboratively through embodied movement and sound journeys into each archetype, using techniques such as vocal improvisation, digital sound synthesis and sampling.
In Embrace of Fakeness, November 2022
https://valeriaradchenko.bandcamp.com/track/in-embrace-of-fakeness
Soundtrack to April Forrest Lin’s 林森 performance In Embrace of Fakeness at Manchester Art Gallery, 02/07/22, as part of WAIWAV, organised by DASH.
TR333, 2021
Music and data sonification for April Forrest Lin’s 林森 speculative documentary, TR333, Commissioned by Sheffield DocFest and supported by Wellcome.
Everything That I Am, Arriving, Always, 2021
https://vimeo.com/562426932?share=copy
Soundtrack to Chantel Foo’s performance, Everything That I Am, Arriving, Always, No Format Gallery 2021 - Solo Show at Sluggg Leipzig, curated by Colette Patterson.
Live-streamed performance (20 min) with 2 camera phones and a laptop, felted merino wool, video projection and sounds.
Sounds made with Odete (Portugal) and Valeria Radchenko (London) with sampled sounds from personal archives.
(Tending) (to) (Ta) OST, February 2020
https://valeriaradchenko.bandcamp.com/album/tending-to-ta-ost
Soundtrack to April Forrest Lin’s 林森 feature length film, (Tending) (to) (Ta), commissioned by Obsidian Coast.